About Alexandra
“Alexandra Meier used oodles of nuance to convey Dinah’s seething resentment”
- Opera Today, August 2023
"For my money, Alexandra Meier’s Dinah gets the emotional sympathy, with her rich, dignified mezzo-soprano that in itself is a denial of Sam’s claim she talks too much."
- London Grip, August 2023
"Past actions were immaterial to her spiritual love for the condemned man, as the outstanding young mezzo Alexandra Meier made abundantly clear in her stellar performance."
- Bachtrack, February 2023
This season Alexandra covered the role of “Lel”, and played the role of “Tsar’s Page” in English Touring Opera’s production of The Snowmaiden by Rimsky-Korsakov, stepping in as “Lel” for a performance at the Exeter Northcott Theatre. She also reprised her cover of “Berthe” in Judith Weir’s Blond Eckbert, which she had previously covered last June in an English Touring Opera/Britten Pears Arts co-production at Aldeburgh Festival.
In 2023 she played the leading role in La Cenerentola with Longhope Opera, “Dinah” in Bernstein’s Trouble in Tahiti at Grimeborn Festival (Offie Award winner for best opera production), and “Hänsel” in Hänsel und Gretel with HGO.
As a 2022/23 Britten Pears Young Artist, Alexandra participated in masterclasses with teachers including Antonio Pappano, Julia Faulkner, Gweneth Ann Rand, Ann Murray and Roderick Williams, and performed in a recital series at Aldeburgh Festival with pianist Hebba Benyaghla.
In December 2023 she returned as an Britten-Pears alumnus to sing the alto solo in Händel’s Messiah at Snape-Maltings Concert Hall.
Alexandra has also performed at Theater Basel in Switzerland as “Der Trommler” in Viktor Ullmann’s Der Kaiser von Atlantis, and as “Anneli” in the first production of Dai Fujikura’s Der Goldkäfer, commissioned by Theater Basel.
Alexandra is a graduate of the Opera Course of The Guildhall School of Music and Drama, where her roles included “Sister Helen Prejean” in Jake Heggie’s Dead Man Walking, “Berthe” in Judith Weir’s Blond Eckbert, and “Jean de Moncerf” in Massenet’s Le portrait de Manon.
Repertoire
Opera
BERNSTEIN
Trouble in Tahiti | Dinah
BYRNE
Bloody Murder | Maeve
FUJIKURA
Der Goldkäfer | Anneli
HEGGIE
Dead Man Walking | Sister Helen Prejean
HUMPERDINCK
Hänsel und Gretel | Hänsel
MASSENET
Le portrait de Manon | Jean de Moncerf
PURCELL
Dido and Aeneas | Second Witch
RIMSKY-KORSAKOV
Snegurochka (in English) | Lyel (cover)
ROSSINI
La Cenerentola | Angelina
ROTA
I due timidi | La madre di Mariucca
ULLMANN
Der Kaiser von Atlantis | Der Trommler
WEILL
Der Zar lässt sich fotografieren | Der falsche boy
WEIR
Blond Eckbert | Berthe
Oratorio
BIBER
Missa Bruxellensis
HÄNDEL
Messiah
HOFFMANN
Miserere in b-minor
MOZART
Coronation Mass in C-major
Requiem
ROSSINI
Petite messe solennelle
VIVALDI
Gloria
Concert
BRAHMS
Zwei Gesänge, op. 91
BRITTEN
Cabaret Songs
Canticle II: Abraham and Isaac
MEDTNER
8 Poems, op. 24
SCHUMANN
Liederkreis, op. 39